![]() Cook bacon, allowing half a slice per clam shell, til just short of done. Reserve the shells and drop the almost raw clams into a bowl with liquor. When they are open, take them out immediately and take your chances cutting the clams out of the shells. Realizing that you'll likely cut your arteries if you try to open them raw, scrub them with a brush to get the sand off and put them into a 400 oven on a cookie sheet til they pop open. Put these crumbs aside and address the raw cherrystone clams in their shells. Add to the breadcrumbs chopped parsley, grated asiago cheese, garlic powder, Kosher salt and fresh ground pepper. Here's what I do, to rave reviews: Grate breadcrumbs out of stale good white bread. Listen: Clams casino? Where are the breadcrumbs? Years for parties and caterings and it is just Onions, green peppers, red peppers, garlicĬlams or oysters you want. Download Clams Casino’s superb mixtape, subscribe to his YouTube channel, and get back to listening to Lil B.Ok this is the only recipe and sorry I do not But in the context of this EP, they are a little too static. I expect to hear these beats beneath a Lil Wayne song within the year. The last two songs on this set catalog some of the essential sounds of electronic music in 2010-2011. Within the world of hip-hop production, Clams Casino’s productions remain fascinating, occult counterpoints to the bravado of rap. Vague titles invoking storybook images of the jungle aside, there is no story here. Rainforest, however, is all place and no progression. “Gorilla” uses a rock drum set to summon a dream-pop epic out of the siren synths and relentless bass kick programming of a mid-2000s crunk and B song.Ĭlams Casino’s beats are used by rappers to create the reflective “happy place” on albums that also include sections of relatively higher drama. A lonely, restless piano chord tiptoes around a ghostly vocal sample as it’s chopped into an agitated mutter. ![]() The last two songs, however, are essential: “Drowning” calls to mind James Blake on cough syrup. “Waterfalls” smothers the sounds of FM radio, fanfares and drum hits echoing up from six feet under. But where are the other colors from his mixtapes: the Björk-sampling stomp, the shining chrome synths, the dumbass sugar rush of hearing the hook to “Cold War” repeated two dozen times in one track? The first three songs on the EP are aggressively laconic. On this album, the drum machines of hip-hop production are dessicated husks, clattering like the jaws of empty skulls. It tends to, er, drag, but the producer’s deft touch with wonky textures remains thrilling.Ĭlams Casino’s productions gain much more authority and interest from their context on rap albums. This EP doesn’t take the listener on that kind of ride. The producer recently contributed a mix to FACT Magazine that showcases the aesthetic sensibility through which Rainforest should be understood: the manic pop world of hip-hop radio, with all the hedonism of club-oriented music and mercurial mood swings of pop music. But what is most interesting in Clams Casino’s music is that the trace of contemporary hip-hop gives us the opportunity to consider this type of music as a product of hip-hop’s ideas and sounds, not simply another melancholic bedroom opus. ![]() Rainforest easily fits the mold of sample-based IDM, and it serves adequately in that context. Clams Casino succeeds in constructing effortlessly evocative textures and moments full of dramatic potential, but as songs in their own right, the tracks on the New Jersey producer’s first officially released EP need more happening to drive the story forward. No longer part of the arc of a rap album, the instrumentals must tell a story by themselves. The productions on Clams Casino’s Rainforest, however, have a different meaning. When listened to in the context of the entire album, the song serves as a moment of contemplation, and in this context, Clams Casino’s mood music is a necessary pause in the narrative. Considered on its own, Clams Casino’s production for Lil B’s “Motivation” is remarkable: a hiccuping, luminous swoon that casts the Based God’s delivery into hazy silhouette. Some listeners go so far as to loop intros to songs using Clams Casino beats in an effort to create endless, instrumental hymns. The usual “your gay” comments are rapidly shushed. Commenters on YouTube who know nothing about Clams Casino grow inexplicably reverent in the presence of these beats. ![]() Clams Casino’s productions seem to fill an almost spiritual need in the internet era of rap music. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |